I was brought in to work on “Fahrenheit 911” with editor Kurt Engfer while Michael Moore was shooting elsewhere.
The movie changed substantially after my tenure, but this is one small piece that survived intact (as did Kurt’s scratch VO).
I was brought in to work on “Fahrenheit 911” with editor Kurt Engfer while Michael Moore was shooting elsewhere.
The movie changed substantially after my tenure, but this is one small piece that survived intact (as did Kurt’s scratch VO).